Check out the Latest Articles:
A Clarion Call To Dream And Plan Big!

Leslie Ishii is an actor, director, playwright and teaches at East West Players Asian American Theater. She is also a teaching artist with Center Theater Group’s Young Audiences Program and is getting her certification in Catherine Fitzmaurice Voicework. She is the founder of leslieishiiblog.blogspot.com and theselfstarter.com websites. Most recently Leslie has been seen on Flash Forward, Desperate Housewives, in The New Generation FAME, and recurring on LOST as Lara Chang.

In these economically down times when the Arts are in crisis, this is not the time to shrink and become smaller.  You may feel inclined to hold back, to tighten up.  Do the opposite.  Do not pull your thinking back.  Do what we artists do best—DREAM BIG!  You’re the expert we need in these times.  Use your imagination, take the lead, and move our society forward!

Michael Kaiser

The symposium, “Arts In Crisis; A Kennedy Center Initiative; An Interview with Michael Kaiser, President of John F. Kennedy Center,” is where I heard this clarion call to all artists.

He asked, “What’s next?” And answered himself, “Plan.”  He said to stop worrying about what you can’t afford now and focus on what you can afford in the future.  We must plant seeds now for good art to be grown so our children and society will reap the profound benefits that we know come from the arts.

Mr. Kaiser’s initiative is a tall order.  He is asking us to dream and plan big—plant seeds.  I realize I’ve practiced dreaming and planning big and I am now reaping my rewards—work I love.  Mr. Kaiser’s strategy and the tools I offer below help us do well in any economic climate.

I appreciate BrainsofMinerva.com for the opportunity to share my five tools for planting and sowing good seeds!

Tool #1:  Personal Mission Statement

Upon graduation from American Conservatory Theater (ACT), there were few Asian American theaters in existence and I rarely saw Asian actors on stage, television, or in film.  Prospects for a successful acting career didn’t look good for me.  Interestingly, I was graduating at a time when the industry was starting to be challenged around the issues of “cross and realistic casting.”  Independent film and theaters of color were continuing to emerge and establish themselves.  It was a controversial period of time.  One where the word “diversity” wasn’t exactly a bad word because you didn’t want to be considered racist, but where diversity meant a power shift and that meant change—big change.

Because at the time being an actor of color usually meant you were part political activist to increase our visibility and access to the industry, I learned of the United Nations World Conference On Women.  I wanted to attend that conference.  I can’t explain why.  I started fundraising and applying for the conference.

At a workshop in preparation for the conference, I was in our closing circle when these phrases entered my spirit:

Every human has creativity, therefore every human is an artist.  If every human could recognize, deeply understand, and manifest their unique artistry, we would end artist oppression and all oppression.  I pledge to learn to recognize, deeply understand and manifest my unique artistry.

This became my personal mission statement, my overall vision.  This statement was my needed rich soil for planting seeds.

At the conference Asian Tent, an Indian woman said, “… the act of creativity and collaboration for the well being of others is ending oppression.  Never take your resourcefulness and creative thinking for granted.  It can keep you alive and make a better world for others…it will bring liberation for all.”  This reinforced my mission statement and following the pledge helped me plant seeds of integrity along my artistic path. This statement helps me avoid being self-indulgent and self-involved.

With the help of friends, family and local organizations, I attended the conference.  The play and short documentary based on my conference experience led to reaping nearly ten years of work and a profound creative process developing “The Self-Starting” course for U.C. Irvine, ACT and other outside workshops.

Action:  Notice your inner voice, your intuition, pay attention to the signals and create your personal mission statement, your overall vision—your rich planting soil.

Tool #2:  Goals and Intentions

While teaching my Self-Starting students, I noticed they were living proof that if you create your vision, set goals and intentions, they materialize.

Goals are seeds and in gardening, there are ways to plant seeds so they grow and become a bountiful garden.  Planting all three types of goals, immediate, intermediate, and long-range, are necessary for successful goal-setting.  All three types of goals are interdependent and help to ground you in your overall vision.  Here’s why:

  • Completing immediate goals help you see and feel success immediately. They help you discover and build momentum for your creative process.
  • Intermediate goals challenge you to stretch and expand yourself within a successful reach.  This fuels your process.
  • Long-range goals help you see you have a vision within you.  You are meant to open your imagination to dream and plan.  Without immediate and intermediate goals, long-range goals are merely pipe dreams and it is easy to give up on them.  No need to give up, evaluate your goal-setting instead and continue to dream and plan.

Then, my students and I create positive intention phrases based on our goals.  These phrases shed bright sunshine on our garden to support its growth.  The challenge was to create a phrase that contradicted all of the fear, the dark clouds that threatened our goals as we dared to dream big.

During this exercise, I listened to students talk about money and work worries.  I started noticing what they say is what happened to them.  I looked at my life and saw I was doing the same thing.  So, I started to express and put focus on only what I could talk about positively.  At a deeper level, I began to take responsibility for creating my life as I expressed it.  Then, an intention came into my spirit: “Everything I do, I love!”

Can I create this?  Over time, I’ve noticed there is a letting go into the phrase that allows me to become open to possibility and non-judgmental to the creative way in which I might arrive at my goal or dream.  Every job I’ve gotten since creating this phrase, I have absolutely loved.

Now I’ve extended the phrase to:  “Everything I do, I love!  I trust the money is following and I am taken care of.  All my needs are well met.”

Action:  Watch what you say and how you say it.  Create phrases that reflect what you really want so your heart will sing.  Keeping your positive phrases in present tense is key. Do you have immediate, intermediate and long range goals? Plant seeds and give your garden plenty of sunshine.

Tool #3:  Great Self Care = Great Artistry And Abundance

After moving to Los Angeles I noticed how I looked was getting me cast as much as my ability to act.  Like plants, we need to be tended and fed.

I became my own guinea pig.  I began to examine my lifestyle.  If I ate salmon, vegetables, the next morning I looked rested and healthy.  If I ate fast food, chocolates, donuts, cookies, I looked really tired and felt hung over.

One day I evaluated whether to have a “treat” and decided I better not because of an audition the next day.  Hmmm, I had been putting off a “treat” for weeks.  I had crossed over.  Eating healthy and exercising had become the norm and I felt good and my work reflected this.

I went further.  I got honest with myself regarding what I really wanted and in what shape I wanted to be in to accomplish my goals.  I was learning to pull the weeds from my garden so they wouldn’t choke off my plants before they had a chance to grow.  I began to live a lifestyle that supported my vision.  I said, “no,” to anything that sabotaged my health, my abilities, and my vision.

For example, when auditions or work in the industry come, I work backward.  First I decide when I want to arrive at the appointment to feel relaxed and in charge of my process.  This means leaving the house by a certain time.  I back up further and address the time needed for rehearsal, memorizing lines, research, eating healthy, sleeping, choosing wardrobe, and fixing hair and make-up too.  All of this so I can have good energy, love my performance in the audition, and feel grateful for the opportunity.

I use this phrase as a helpful reminder:  Great self-care = Great artistry and abundance!

Never let anyone tell you good clean living is boring or un-cool.  It’s fantastically interesting when you’re booking work you love and cast to contribute to an inspired creative process.

Action:  Are you taking great care of yourself and your gifts?  What do you need to do or change to tend and feed your garden well?

Tool #4:  An Artistic Home; A Place To Practice Stick-to-it-ive-ness

At some point, you may want to collaborate and tend a larger garden with others.  Finding an artistic home, a larger garden, or creating one of your own is essential for any artist to keep their creative process growing.  As I write this my imagination is opening to what the term “artistic home” might mean to someone.

An artistic home can mean a charity organization where you have the opportunity to brainstorm and implement ideas for events or operations.  It can mean volunteering or showing up at your church where they need your creativity and helping hands to complete a project.

When I first came to Los Angeles I went to visit East West Players Asian American Theater (EWP).  I thought, “Go, connect with your people.”  I met the late Artistic Director, Nobu McCarthy and she said, “You will teach.”  I was in the minority group of Asian American actors who had been accepted to a major conservatory program, so to her it was a no-brainer I should share what those trainers taught me at ACT.  I could help give more Asian actors access to the mainstream.

I started teaching and have been with this theater for eighteen years.  I didn’t expect this would become an artistic home.  I just wanted to connect and get a job.  But I gained a world more; the experience of running the conservatory for two years, developing curriculum, expanding the conservatory programs, developing as a director, playwright and continuing my growth as an actor.

When I was exiting from ACT, one of my trainers said to me, “You possess something that will help your career.  You have stick-to-ive-ness.”  Because I stuck by and stayed with EWP, I was able to build a long term relationship and I didn’t miss out on reaping the benefits of this work.  I am grateful for my initial impulse to go and connect.

Action:  Consider creating or joining an artistic home, literally, virtually.  Contribute to great collaborations and healthy discourse to support your impulses, passions, curiosities. This is a great way to find support for your expansion into planting a larger garden.

Tool #5: Trusting Yourself Is Empowering

After eighteen years in the industry I know it takes a tremendous amount of faith in yourself to trust you are where you should be.  But I wanted to get past just “surviving.”  Once out of frustration I had the impulse to ask what Mr. Kaiser asked, “What’s next?!”  I kept asking and getting new impulses.  I learned that this saved me from getting resentful and victim-y.

Every garden needs replanting.  Journaling and meditating have been practices where I can ask, “What’s next?”  This rejuvenates my soil, where my impulses, my next seeds can be revealed and planted.  Over time, I have become trusting of my impulses and ideas and I have grown a sense of empowerment from within; a benefit I didn’t expect to experience.  I began to release insecure pursuits of fitting into this industry.  Now, I show up my full self with my heart and imagination open.

ActionAsk “What’s next?”  When you get the impulse, go!  It may be to go somewhere, call or email someone, read a particular book or research an off-the-wall idea on the web.  Do it!  It’s worth taking the risk!  I’m returning to voice and dance classes!?#*?!*

In conclusion, thank you, Mr. Kaiser!  And I hope this article inspires all of you e-readers to create a wonderful artistic home of Los Angeles by asking “What’s next?”

Plant good seeds.  What you sow now, you will reap later—a bountiful garden!

Please feel free to comment here or write to me at leslieishiiblog.blogspot.com to let me know how these tools are working for you!



  1. Tiffany on Tuesday 10, 2009

    This is truly amazing advice! After reading this, I feel inspired. I especially love tools #3 and #4; the importance and impact of good clean living and stick-to-ive-ness should never be undermined! Thank you so much for this post!

  2. Sydney on Tuesday 10, 2009

    Great article Leslie! I agree with all five of your tools for success! You truly do reap what you sow :)

  3. Chon on Tuesday 10, 2009

    Beautiful article–simply refreshing and rejuvenating to read! Thanks Leslie!

  4. Michael Ishii on Tuesday 10, 2009

    Hi Leslie,
    I guess as an artist (classical musician, writer), a healer (acupuncturist) and as your younger brother I am so appreciative of your sharing your process here. I have witnessed it for decades now and saw the bootstrapping process of figuring out all that you have.
    I think the one thing you omitted though you thoroughly described it, is “generosity”. You have always held out that competition is a by-product of an economic class system and serves no useful human need. I have seen you reach out to other actors, artists and offer without sense of protecting your corner of the world.
    Something about this seems key in unleashing inner-creativity. I’ve noticed in myself that if I hold back, trying to protect some piece for myself or adopt a perspective of someone else as my main obstacle (and I think we all do at times, since we grew up in this society that tells people there is only a limited piece of resource and you’ll have to fight for it)- that I’ve also held back not just from others who are perceived as my “competition” but from myself and my own process.
    It gets “tight” and then things don’t flow as well.
    I’d love to hear you actually talk about this because I think you made some kind of a decision early on about this and it fly’s in the face of internalized artist oppression. Contrary to the pulls of industry pressure, you seem to have made a bigger life and artistic vision by expanding connection to as many people as possible, not giving into competition. I think that’s called community building. What has been your process here? I know some parts but I know there has been some internal process here too. Would you share it?

  5. Mita on Tuesday 10, 2009

    Thanks for writing this inspiring article Leslie! Realizing how important it is for us to take care of ourselves and be supported as artists really helps in staying committed to the journey ahead!

  6. Leslie on Tuesday 10, 2009

    Thank you for your comments and interest in this article and Brainsofminerva! I so appreciate your response and am glad the tools have inspired you and/or validate your process!

    Please feel free to ask questions as well!

    Leslie Ishii

  7. Aurelio on Tuesday 10, 2009

    Good to here the president of the Kennedy Center talking about the artistic side of things rather than management and fundraising.

  8. Marilyn on Tuesday 10, 2009

    Great article Leslie with very accessible tools! I attended the ARTS IN CRISIS interview also and was amazed and engaged by Michael Kaiser’s words. His message of “it’s time to get back to dreaming instead of living in fear and letting outside circumstances control you” was impactful. I left feeling inspired and motiviated. Thank you for all your tireless hours in everything you do for the education programs here at East West Players! I don’t know what I’d do without you!

  9. Kane on Tuesday 10, 2009

    Dear Leslie,

    This article and message is exactly what young artistic, like myself, needs as inspiration and determination for our futures. Having been your student for only a short period of time, I have not only learned to improve myself as an artist and actor, but also I have learned from you how to improve myself as a person and human being. The one thing that I will also remember from you is “impulse” and “what’s next?” You’ve taught me that the one major thing an actor has, that is so powerful and must be used is: his or her voice.
    “Do not be afraid to voice up, that is the one tool no one can take away from you” – Lesie Ishii
    I will take this advice and set my goals and reach for my dream!

    Thank you.

  10. Janie Chien on Tuesday 10, 2009

    Dear Leslie,

    Wow… What a refreshing article ! As an Asian American actress, you have come a long to fulfill your dreams; and your exquisite Five Tools have profoundly touched the core of my soul; they will lead me to reaching and accomplishing my goals (present, mid-term and long-term).

    You are very talented, thoughtful, dedicated and creative with an open mind. My heartfelt thanks to you for sharing these wonderful thoughts with us.

    Best of best wishes,
    Janie Chien :)

  11. Edward on Tuesday 10, 2009

    Have taken classes from Leslie for years and she’s nothing but inspirational! And what I’ve learned from her is more than just the craft but also the mental preparation and spiritual guidance to lead the life of an artist. This article is a great summary of her teachings! Thanks Leslie…

  12. Christina on Tuesday 10, 2009

    Great article, Leslie! I am so inspired. I think your piece is definitely planting the seeds in my mind for how one can approach the acting industry. But moreover, it also speaks to some things that I think can be applied to personal growth and daily living.

  13. Christina on Tuesday 10, 2009

    Leslie-

    I’m curious as to what you think the current climate is for Asian American actors. Have you noticed increased opportunities in recent years or not? What do hope to see in the next 10 years?

  14. Leslie on Tuesday 10, 2009

    I commented on Mike Ishii’s question but am waiting to see if it will post. It was a detailed answer and may be taking longer to process. I will wait today to see if it posts and if not, will respond again.

    Thank you for your patience and please feel free to ask questions!
    Leslie

  15. The Brains on Tuesday 10, 2009

    Everyone – Thanks for all of the thoughtful comments!

    Leslie – What a wonderful article! I don’t know what could have happened to your comment. We have nothing pending. Any comments you make should post immediately as only a person’s first comment needs to be approved. I’m so sorry that it was lost.

  16. CT Oyster on Tuesday 10, 2009

    Thank you for an inspiring article, its so important to step back and re-evaluate what we do each day so we can move forward with energy and momentum. Ahhhh feels good to read an article like this instead of the anxiety inducing political news I’m usually perusing.

  17. Stacey on Tuesday 10, 2009

    This article was a breath of fresh air! It is so easy to become insecure, cynical, or even bitter trying to find one’s place in the arts.

  18. Stacey Cole on Tuesday 10, 2009

    This article is a breath of fresh air! It is so easy to become insecure, cynical or even bitter over the years, when working in the arts. There are so many good ideas in this model for living a creative life. Becoming aware of the verbage/terminology we use when talking/thinking about ourselves and others can not only shift our perspective, but soften and open our hearts, minds and lives to fine possibilities. Thank you Leslie Iishi! I will share this article with friends inside and outside of our profession.

  19. Leslie on Tuesday 10, 2009

    Thank you, Brains for the update. No worries. I don’t mind responding again. Perhaps it was meant to be a first draft not meant for anyone’s eyes yet.

  20. Leslie on Tuesday 10, 2009

    Dear Christina,

    Great questions! Yes, I do think that we see many more Asian Americans in the industry than when I started, so I think it has improved. For myself and my colleagues and students, there are more projects, auditions, and ultimately, work–paid work.

    There are more of us trained. When I graduated from ACT, I believe I might have been the only Asian American to graduate that year in the country. There were others after me and just a tiny few before me. Now there are often more than one Asian American a program each year. There are also more classes going on since those of us trained have been teaching for a number of years now.

    In the next ten years, I see us being household names and a major part of the landscape throughout the industry. This has already begun. Our writers are now in “the room” collaborating on major tv shows and on film sets much more regularly and they are influencing the number of Asian regulars and recurring parts that are in shows and films. There are Asian writers in the writer’s room on LOST. I have to believe this is why there are a number of Asian perspectives represented on that show.

    I ran into two Asian colleagues in one week and we had all worked on Flash Forward in the first episodes. What great validation that things are improving!

    More Asian American producers and directors are breaking through as well. We have wonderful Asian American writing teachers at the University level now as well. My teacher, Prince Gomolvilas, is a professor in the Master’s Writing Program at USC now. We’re in more places offering expertise, experience and influence. All of these signs encourage us to know we belong in the industry too. We always have, we needed the opportunities, and now we’re getting the visibility that helps the arts to grow in our communities. It’s getting less scary for our parents now since they see many of us being able to successfully make a living working more regularly on screen, in theaters, and also behind the scenes in voice over, on crews, etc. Now when I work I see more than one Asian on any given crew as well.

    I can already see the future as my conversations with other Asian American artists have shifted from talking about discrimination to talking about our next projects and what we can dream up and create.

    There is still more work to be done regarding discrimination, however, and the studios aren’t stupid. The population here in LA is nearly majority people of color. This is the future now. They won’t leave any money on the table. Their marketing tells them the Asian American communities love entertainment; movies, television, theater. They know we love seeing ourselves on screen and we buy and download programing that we directly relate to. The industry will go where the money is and that is towards us.

    So, I see that being on the screen or behind the scenes soon won’t be the issue. The issue continues to be how we are represented in all of these places. We must dream and plan so that we are in charge of how we want to be portrayed in the stories and conversations that are important to us. We plan so we can be ready to pitch and make sure these projects are included in budgets and production.

    Keep dreaming and planning! Thank you for the questions!
    Leslie

  21. Halley on Tuesday 10, 2009

    Hey Leslie!
    I finally got around to reading this article and I’m glad I did! On a side note – congratulations on FlashForward!!!! Now you’ll have been on 2 of my favorite TV shows :)!
    I’ve definitely been trying to adjust my language and think more in terms of the money following and all :)

  22. Leslie on Tuesday 10, 2009

    Regarding Mike Ishii asking me to respond to the subject of generosity versus competition.

    First, there is a kind of healthy competition that I enjoy with colleagues where we spur each other on to do our best and break through what we thought were limitations. Then, there is the kind where we seek to make ourselves better positioned by putting down, or even crushing those who appear to be in competition for the same role or positon in an orchestra, company, etc. I have tried being cutthroat and I have been the target of this sort of competivieness and either way, it has threatened to destroyed my selfworth.

    I have learned that if I am focusing on the other artists in the waiting room who are also up for the same part, I am not focusing on the work. I am only hurting my own audition. Again, as in the article above, what do I need to do to “love” my audition?

    In the bigger picture, I learned from being at the UN Conference On Women, that our survival is directly connected to how generous we are with each other. I participated in what I consider now an incredible model for how the world could more than survive, it could thrive if we could be generous in everything we do. I witnessed Palestinian and Israeli women demonstrating generosity of spirit in sitting down to talks despite deep fear and anger. I witnessed women helping other women to participate in the workshops while they watched their booths to sell their wares so they would have enough money to return to their countries. I witnessed Northern and Southern Irish women come together to embrace their commonalities while other women stood up for Muslim women who had been raped and convicted as guilty. The generosity of the Japanese women making an open apology to the Korean and other South Asian women was profound and moved relations forward.

    I haven’t been the same since this conference experience. Along with my personal mission statement above in the article, I vowed to be as principled in every area of my life as much as possible and generosity, I learned, is required to remain principled. Generosity doesn’t mean allowing unprincipled behavior, it means caring enough to be principled to help foster what you know is most creative, can grow and make change. AND good art makes change! It is worth it to study and dig within yourself to make the best and most imaginative art you can possible create! Good art is usually created under very generous and principled environments.

    Consider joining ArtsForLA.org where you can receive notices like the event I attended with Michael Kaiser. You will get out and learn about the big picture and see that you are a part of something quite large. We artists need to focus on ourselves so much that I know I can tend to get self-involved and self-indulgent. I constantly work to be aware of the world around me.

    Finding an artistic home where you can experiment with being a part of something larger that interfaces with the city, state, national, or even international community is also really interesting and a very generous way to contribute to your communities. You get more than one perspective and it can be empowering. You might find your generosity and talents will be far reaching within a larger organization. Try it and let me know what happens!!

  23. Leslie on Tuesday 10, 2009

    I apologize for the typo’s in paragrah two. It should read: competitiveness
    In paragraph five it should read: …possibly create!

    Thank you!
    Leslie

  24. Michael Ishii on Tuesday 10, 2009

    Thanks, Leslie for your thoughtful response to my question. I like hearing about your process and how its connected to your personal journey as an artist!

  25. Leslie Ishii on Tuesday 10, 2009

    Dear Mike,

    You’re welcome! It was an interesting questions and your observations thoughtful as well.

    I appreciate Brainsofminerva.com giving me and our community the opportunity to respond to what is important to us!

    My answers aren’t short, but good questions deserve well thought out and thorough answers.

    Again, thank you for your support!!

    xoxo
    Leslie

  26. […] In her piece A Clarion Call to Plan and Dream Big! actor Leslie Ishii (”Lost”) shares how she’s grown through her long relationship […]


0